Textured Paint for Scenery

Rosco scenic texture · Australia & New Zealand

Textured paint for scenery

Stone, bark, plaster, raised patterns, hard-wearing foam. Rosco FoamCoat, CrystalGel and FlexBond are the three products scenic shops use to build texture, harden it and hold it together. Here is what each one does and how theatres use them.

Water-basedPaint-ready once drySample pots availableExclusive Rosco distributor AU & NZ
Applying Rosco CrystalGel with a comb to create texture

Which one do I need?

Harden, texture or bond

Each product does a different job. Many builds use two or all three.

Rosco FoamCoat
Harden foam

FoamCoat

A hard protective coating for foam scenery and props, especially pieces that get handled or toured.

  • Also a texturing agent, tougher and less brittle than plaster or joint compound
  • About 14 m² per 3.79 L, roughly 1.5–5 mm per application
  • Undiluted for the toughest coat; thin with water for flow
Rosco CrystalGel
Clear texture

CrystalGel

A clear coating and texture medium that sticks to foam, fabric, metal, glass, plastic and wood.

  • Pipe, comb or trowel it for raised texture; mix in sand, sawdust or pigment
  • Paint, carve or roll it once dry
  • About 23 m² per 3.79 L; thin no more than about 10%
Rosco FlexBond
Bond and seal

FlexBond

A flexible adhesive and coating that bonds fabric, wood and foam, and laminates foam blocks.

  • Coats Ethafoam so it takes paint
  • Adds flexibility to plaster or clay coatings
  • About 23 m² per 3.79 L; sets in 30–45 min, full cure in 7 days

Product information from Rosco: FoamCoat, CrystalGel, FlexBond. Images: Rosco. Coverage depends on surface and film thickness. Test first.

Shop

Texture and coatings range

Not sure which suits your build? Start with a 2oz sample pot.

FoamCoat (7100)
Harden foam

FoamCoat (7100)

Hard protective coating and texturing agent for foam scenery and props.

$249 · 3.8L
View details →
CrystalGel (7400)
Clear texture

CrystalGel (7400)

Clear coating and texture medium for foam, fabric, wood and more.

$249 · 3.8L
View details →
FlexBond (7500)
Bond and seal

FlexBond (7500)

Flexible adhesive, sealer and primer for fabric, wood and foam.

$205 · 3.8L
View details →
Clear Acrylic Flat (5581)
Matte topcoat

Clear Acrylic Flat (5581)

Clear flat coat to knock back gloss after CrystalGel.

$155 · 3.8L
View details →
FoamCoat Sample Pot
Try it first

FoamCoat Sample Pot

2oz FoamCoat sample for testing on your foam.

$15 · 2oz
View details →
FlexBond Sample Pot
Try it first

FlexBond Sample Pot

2oz FlexBond sample for testing on your materials.

$15 · 2oz
View details →

From working theatres

How scenic shops use them

Case studies from Rosco Spectrum, Rosco's own publication for scenic artists.

FoamCoat · Alley Theatre, Houston

A full-size mastodon skeleton

For the Alley Theatre's 2011 production of Ether Dome, props artisan Haley Polak carved the leg bones, skull and vertebrae of a mastodon from rigid urethane foam.

The first coat of FoamCoat was heavily diluted with water; the second went on straight from the bucket. The coating kept the carved detail while toughening the surface for paint.

Read the full story on Rosco Spectrum →

Images: Rosco / Alley Theatre. Source: Bone Up on FoamCoat, Rosco.

Foam mastodon skeleton with its first coat of FoamCoatMastodon skeleton coated with FoamCoat and painted

CrystalGel · Actors Theatre of Louisville

Three problems solved with one product

Charge scenic artist Rachael Claxton sprayed thinned CrystalGel on the back of a duvetyne cut drop to stiffen it instead of netting it.

Two thick passes over OSB scenery stopped splinters for the whole run. Glitter mixed into CrystalGel stopped it flaking in transit. A clear flat acrylic topcoat brought back a matte look.

Read the full story on Rosco Spectrum →

Images: Rosco / Actors Theatre of Louisville. Source: 3 Useful Scenic Solutions Using Rosco CrystalGel, Rosco.

Cut drop stiffened with CrystalGelScenic artists coating OSB mounds with CrystalGel

FlexBond · Alliance Theatre, Atlanta

Large-scale papier-mâché mountains and trees

For the world premiere of Darlin' Cory, the scenic team built papier-mâché mountain backdrops and 19–24 ft tree trunks from kraft and bogus paper bonded with FlexBond mixed 1:1 with water.

The build used 41 US gallons of FlexBond. It was painted mainly with Rosco Supersaturated.

Read the full story on Rosco Spectrum →

Images: Rosco / Alliance Theatre. Source: How To Create Large-Scale Papier-Mâché Scenery, Rosco.

Tree trunks under construction with papier-mache and FlexBondThree-dimensional papier-mache tree bark

Specs at a glance

Coverage and drying

FoamCoat CrystalGel FlexBond
Main job Hard coat and texture for foam Clear coating and texture medium Flexible adhesive and coating
Coverage About 14 m² per 3.79 L About 23 m² per 3.79 L About 23 m² per 3.79 L
Thinning Undiluted for the toughest coat Up to about 10% Usually undiluted; water improves flow
Drying 2–8 h by thickness; 24 h fully dry Touch-dry 1–8 h; full cure 24 h; not below 10°C Sets 30–45 min; full cure 7 days

Specs from Rosco product pages linked above. Test on your own materials first.

More reading: How to apply scenic coatings · Rosco scenic coatings guide · FlexBond & CrystalGel · Theatre backdrop paint

Building something textured?

Tell us the material, the finish and how long it has to last. We will recommend the coating, quantities and a sample to test first. Trade accounts available for theatres, schools, studios and fabricators.

Case-study images and project information courtesy of Rosco, with each source linked above. Rosco, FoamCoat, CrystalGel and FlexBond are Rosco trademarks. CFATS is the exclusive Rosco distributor for Australia and New Zealand.