Cycloramas Paints

A practical hub for choosing the right cyclorama paint for chroma key studios and white infinity walls across film, broadcast and theatre environments.

Looking to build a cyc? Get in touch

Chroma Key / DigiComp HD

Chroma key environments rely on consistent colour behaviour and controlled surface finish. The cleaner the capture, the easier the compositing.

Virtual broadcast studio green cyclorama
Full green infinity studio using DigiComp HD (Rosco case study).

Rosco DigiComp HD

Used in virtual production and broadcast compositing workflows. Designed for reliable separation between foreground and background with minimal post-production correction.

  • Optimised for digital keying
  • Ultra-flat finish
  • Consistent coverage across large surfaces
View DigiComp HD

Rosco Chroma Key System

A coordinated system of paint, floors, tape and temporary backgrounds designed to match and work together.

  • Engineered colour accuracy
  • Low sheen for clean keying
  • Options for temporary or permanent installs
Explore Chroma Key options

White

White cycloramas are highly sensitive to lighting and camera. The correct choice depends on how the space will be used.

Rosco TV White paint can
Rosco TV White developed for photography and broadcast studios.

Rosco TV White

Developed specifically for video and broadcast studios. Designed to align with video white balancing and reduce overexposure under studio lighting.

  • Camera-optimised behaviour
  • Very matte finish
  • Engineered for studio lighting
View Rosco TV White

Rosco Off Broadway White White

A flat theatrical white commonly used across stage and studio applications where a clean white finish is required.

  • Matte finish
  • Flexible scenic paint system
  • Suitable for common production surfaces
View Off Broadway White White

Looking to build a cyc? Get in touch